Voice TypeMezzo Soprano
Recognized worldwide as one of today's most exciting vocal stars, Denyce Graves continues to gather unparalleled popular and critical acclaim in performances on four continents. USA Today identifies her as "an operatic superstar of the 21st Century," and the Atlanta Journal-Constitution exclaims, "if the human voice has the power to move you, you will be touched by Denyce Graves." Her career has taken her to the world's great opera houses and concert halls. The combination of her expressive, rich vocalism, elegant stage presence, and exciting theatrical abilities allows her to pursue a wide breadth of operatic portrayals as well as delight audiences in concert and recital appearances. Denyce Graves has become particularly well-known to operatic audiences for her portrayals of the title roles in Carmen and Samson et Dalila. These signature roles have brought Ms. Graves to the Metropolitan Opera, Vienna Staatsoper, Royal Opera, Covent Garden, San Francisco Opera, Opéra National de Paris, Lyric Opera of Chicago, The Washington Opera, Bayerische Staatsoper, Arena di Verona, Deutsche Oper Berlin, Opernhaus Zürich, Teatro Real in Madrid, Houston Grand Opera, Dallas Opera, Teatro Colón in Buenos Aires, Los Angeles Opera, and the Festival Maggio Musicale in Florence. In 2008-09, Ms. Graves reprises her historic portrayal of the title role of Margaret Garner for the Michigan Opera Theatre (with performances in Detroit and on tour in Chicago), she returns to the Washington National Opera as the gypsy, Carmen, in a production by Francesca Zambello, and the artist brings the role of Dulcinée to San Diego Opera in the company’s new production of Massenet’s Don Quichotte co-starring Ferruccio Furlanetto. Her vibrant concert and recital schedule takes her throughout North America and highlights include performances with Brian Stokes Mitchell, the Mormon Tabernacle Choir, and the Utah Symphony, a program to honor the memory of Martin Luther King, Jr. under the auspices of the Denver Spirituals Project, and a recreation of the historic Marian Anderson concert on the steps of the Lincoln Memorial in Washington as a part of the Lincoln Bicentennial. During the past season, the artist won critical acclaim as Baba the Turk in a Robert Lepage production of The Rake’s Progress at San Francisco Opera, made her Hong Kong debut as Charlotte in Werther at Hong Kong Opera, and appeared in the title role of Carmen with the Los Angeles Philharmonic at the Hollywood Bowl. She also traveled internationally making extensive tours of concerts, recitals and masterclasses. Outside the world’s most prestigious classical music venues, Ms. Graves offered the American National Anthem at the opening of Nationals Park, the new home for the Washington Nationals of Major League Baseball, and was deeply honored to sing in celebration of Pope Benedict XVI‘s first visit to the United States at an open-air Mass in Washington, D.C. Denyce Graves made her debut at the Metropolitan Opera in the 1995-96 season in the title role of Carmen. She returned the following season to lead the new Franco Zeffirelli production of this work, conducted by James Levine, and she sang the opening night performance of the Metropolitan Opera's 1997-98 season as Carmen opposite Plácido Domingo. She was seen again that season as Bizet's gypsy on the stage of the Metropolitan Opera for Domingo's 30th Anniversary Gala, and she made her debut in Japan as Carmen, opposite the Don José of Roberto Alagna. Ms. Graves appeared in a new production of Samson et Dalila opposite Plácido Domingo at the Metropolitan Opera, and she performed Act III of this work opposite Mr. Domingo to open the Met’s season in 2005. She was partnered again with Mr. Domingo in the 1999 season-opening performances of this work for Los Angeles Opera. She was seen as Saint-Saëns’ seductress with Royal Opera, Covent Garden and The Washington Opera, both opposite José Cura - the latter under the baton of Maestro Domingo, as well as with Houston Grand Opera. Her debut in this signature role came in 1992 with the Chicago Symphony at the Ravinia Festival under the direction of James Levine and opposite Mr. Domingo and Sherrill Milnes, and she made a return engagement to the Festival in this same role in 1997. Ms. Graves appears continually in a broad range of repertoire with leading theaters in North America and Europe. In May 2005 she created the title role in Richard Danielpour’s Margaret Garner in the world premier performances at Michigan Opera Theater with further performances at Cincinnati Opera, Opera Company of Philadelphia and Opera Carolina. Of this role, which was created for Ms. Graves, the Cincinnati Enquirer wrote “As Margaret, Graves’ journey was a tour de force... [h]er performance was riveting... culminating in a scene beyond powerful,” and the Cincinnati Post proclaimed, “[h]er voice was dusky gold in the basement, silvery at the top, but above all, she is a singing actress.” In 1999 Ms. Graves performed the role of Charlotte in Werther for Michigan Opera Theater opposite the Werther of Andrea Bocelli in his first staged operatic performances. She gave her first performances of Judith in a William Friedkin production of Bartok’s Bluebeard’s Castle in her return to Los Angeles Opera: she also has sung Judith at the Washington National Opera and for the Dallas Opera. Highlights of the mezzo-soprano’s other recent appearances include her first performances of Azucena in Il trovatore, Nicklausse in Les contes d’Hoffmann, and Dulcinée in Massenet's Don Quichotte with The Washington Opera; the title role in La Périchole with the Opera Company of Philadelphia; a rare double-bill of El amor brujo and La vida breve specifically mounted for her by Dallas Opera; Federica in the Metropolitan Opera’s new production of Luisa Miller, led by James Levine; and Amneris in Aida with Cincinnati Opera. Ms. Graves’ debut with the Théâtre Musical de Paris – Chatelet was as Baba the Turk in a Peter Sellars/Esa-Pekka Salonen production of The Rake's Progress, and she returned to Covent Garden as Cuniza in Verdi's Oberto after her debut performances as Carmen. Her debut at Teatro alla Scala was as the High Priestess in La vestale led by Riccardo Muti, and she soon returned as Giulietta in a new production of Les contes d'Hoffmann and as Mère Marie in the Robert Carsen production of Les dialogues des Carmélites. She appeared at Teatro Bellini in Catania in the title role of La favorita, and audiences in Genoa saw her first performances of Charlotte soon after her debut there as Carmen. Her debut in Austria came as Carmen with the Vienna Staatsoper, and she has also been seen in this role with Grand Théâtre de Genève, Genoa’s Teatro Carlo Felice, the Bregenz Festival, and festivals in Macerata, Italy and San Sebastian, Spain. Ms. Graves gave her first performances of Adalgisa in Norma for Opernhaus Zürich. One of the music world's most sought-after recitalists, Ms. Graves combines her expressive vocalism and exceptional gifts for communication with her dynamic stage presence, enriching audiences around the world. Her programs include classical repertoire of German Lieder, French mélodie, and English art song, as well as the popular music of Broadway musicals, crossover and jazz together with American spirituals. For her New York recital debut, The New York Times wrote, "[h]er voice is dusky and earthy. She is a strikingly attractive stage presence and a communicative artist who had the audience with her through four encores." In 2001 Ms. Graves gave a series of appearances in response to the tragic events in New York City, Washington, D.C., and Shanksville, Pennsylvania on September 11, 2001. Ms. Graves was invited by President Bush to participate in the National Prayer Service in Washington's National Cathedral in which she sang America, the Beautiful and The Lord’s Prayer. This event was televised worldwide and was followed by Ms. Graves' appearance on The Oprah Winfrey Show in a live musical program of Healing through Gospel Music. Ms. Graves has since participated in numerous other benefit concerts, and RCA Records released a recording of patriotic songs by Denyce Graves, the proceeds of which benefit various groups who have been affected by the events of September 11. Ms. Graves recently continued her patriotic activities when she sang for President and Mrs. Bush, among other dignitaries, at An American Celebration at Ford’s Theatre to benefit U.S. soldiers in Iraq. This concert was taped for television and aired on the ABC network on July 4, 2005. In 2003 Denyce Graves was appointed as a Cultural Ambassador for the United States, and she now travels around the world under the auspices of the State Department appearing in good-will missions of musical performances, lectures, and seminars. Her first trips in 2003 brought her to Poland, Romania, and Venezuela. Denyce Graves is a native of Washington, D.C., where she attended the Duke Ellington School for the Performing Arts. She continued her education at Oberlin College Conservatory of Music and the New England Conservatory. In 1998, Ms. Graves received an honorary doctorate from Oberlin College Conservatory of Music. She was named one of the "50 Leaders of Tomorrow" by Ebony Magazine and was one of Glamour Magazine's 1997 "Women of the Year." In 1999 WQXR Radio in New York named her as one of classical music's "Standard Bearers for the 21st Century." Denyce Graves has been invited on several occasions to perform in recital at The White House, and she provides many benefit performances for various causes special to her throughout each season. Denyce Graves has been the recipient of many awards, including the Grand Prix du Concours International de Chant de Paris, the Eleanor Steber Music Award in the Opera Columbus Vocal Competition, and a Jacobson Study Grant from the Richard Tucker Music Foundation. In 1991, she received the Grand Prix Lyrique, awarded once every three years by the Association des amis de l’opéra de Monte-Carlo, and the Marian Anderson Award, presented to her by Miss Anderson.